New Website

I finished a new website today. Actually it’s a re-working of brianhigbee.net. I’ve been working on it for almost a week. I decided that I wanted to minimize the amount of information on it and reduce the number of art pieces that I show. Most of the small scale models didn’t make the cut, which is unfortunate, but I felt that they just didn’t seem that impressive as stand alone pieces. I’d love to do a show one day of all small scale models of my larger work. One of the things that I struggled with was how to break down the categories and , in the end, I decided to break it down according to “organizations” and not by medium (ie painting, sculpture). I felt that using project titles represented what I was trying to achieve artistically better than if I broke it down by what materials I used. Here is what I wrote:

As an artist I’m interested in the creation and development of ideological organizations that act as conceptual contexts for projects and large bodies of work. I developed these projects to act as a network of interconnected ideas that address the complexities of multiplicity as a basis for the re-contextualization of contemporary aesthetics. In this way, I am interested in creating a network of visual languages and open meaning systems that both cross-purpose and cross-reference several ideas and objects simultaneously. Each of these projects generally use a wide range of materials and mediums such as small-scale models, drawing, painting, sculpture, text and computer generated images so instead of making categories that separate my work by the types of materials that I use, I restructured it into categories according to project titles.

 

Here are the 4 categories and explanations about each one.

 

Brian Higbee shows most of my paintings that use personal experiences of loss and disappointment as a basis for meditation and reflection. These experiences manifest themselves in my paintings as both the imagined landscape/object and within the titles, as fragments of conversation.

 

Associated Artists for Propaganda Research has its roots in politics and disinformation. It is political by nature and explores themes of propaganda, political dominance, corporate control and U.S. military prowess. It offers a critique of the political and economical disinformation distributed by those intent on protecting invested interests.

 

The Future Living Projects  is a concept revolving around architectural components and was created as a fictional yet defunct architectural firm from the 1970’s that re-imagines the possibilities of art and architecture in the distant future. In the future the struggle for space will be the struggle for survival.

 

The Lost Estate of Ed “Johnson” Shepard creates a fictional biography about an artist living in the late 70’s and 80’s. He’s a Vietnam vet who’s art explores notions of male masculinity and teenage fantasy, U.F.O.’s and space travel and ultimately, the horrors of the Vietnam War. He is a culmination of myself, my father and my grandfather.

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Filed under Associated Artists for Propaganda Research, Future Living Projects, The Lost Estate of Ed "Johnson" Shepard

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