Here are 3 paintings that I made in 2010 and 2011 that are all enamel on canvas. I made the original colored pencil drawings for these back around 2001 and 2002 when I was starting to come up with some ideas for the Future Living Projects. I had originally wanted to design paintings for the future using colors from the 1970’s. The ideas for these colors came from early experiments that I did with pale blue and orange enamel latex paints on the back of plexiglass panels. When the panels were turned over the paint became flat and mimicked the panels that I would see on the sides of schools and other brightly colored buildings from the 1970’s. The panels that I made seemed to exist somewhere between sculpture and painting and I wasn’t sure at the time how these were even art and never completed the project. In the end I made only 2 panels and completed a series of computer generated drawings that illustrated the different colors as they would look when finished. I decided at the time to switch to the designing of paintings instead which provided a more traditional platform for my art making ideas.
I generally don’t like the idea of designing paintings but use the term deliberately. I feel that design is the antithesis of what art should be about. One solution that I had was to have somebody else design my paintings for me; I would essentially become only a worker. This idea appealed to me and I felt that I had reached a new forbidden area of creativity in which the artist would become liberated from design and could be creative solely as a producer of ideas and context. I thought of this as the logical extension of what Marcel Duchamp was achieving in Tu m’ and later John Baldessari for his series Commissioned Paintings which both employed other artists to paint for them. (Is it a coincidence that they both had artists painting pointing fingers?)
So I designed the paintings myself and decided that I wanted them to be long and thin to coincide with an earlier architectural project for Future Living Project’s which imagined a future with thin horizontal buildings. The first painting that I made from the colored pencil drawings was At the Gates of Dawn and was only 12″x48″. I wanted to use glossy enamels for this project since I had never used them before and wanted a change from my usual painting practice. The orange that I mixed for the painting was a color close to what I had originally used for the earlier colored panel project. Here are the final 3 paintings. The first 2′ At the Gates of Dawn and From Dawn To Dusk are 24″x84″ and are stretched over panels. The last one, New Dawn Fades, is 18″x79″.